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‘Fag Attacks’ explores the intersection between my Queerness, the rural, and the tradition of portraiture and landscape painting. In this project I present an imaginary Queer space in the English countryside.


Like a fairy tale, it all started once upon a time – this time in 2020 with the birth of a new world order of ecological dystopia. The woods were quiet, the cows grazed undisturbed, the genteel went about attending to their lawns and vegetable patches, the crows, always suspicious, scanned the rolling hills, when suddenly an evil foreign non-binary Queen arrived in the scene.

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