
My studio practice is research-led and interdisciplinary, spanning site-responsive, immersive installations and performances, ceramics, drawing, painting, photography, sculpture, sound, text, and video.
I am interested in the politics of memory and examine how some stories are preserved and celebrated while others are neglected, erased, or forgotten. I draw on archives, collections, and other repositories of knowledge to create work that challenges the marginalisation of non-conforming bodies and voices within dominant narratives.
A core focus of my practice is the deconstruction of heteronormative and binary frameworks, queering histories, memories, and places.
I am currently developing Mundus Transfiguratus, an evolving world-building project informed by ecology, mythology, and queer phenomenology. In this body of work, I employ myth-making as a speculative tool to construct a queer trans-species cosmology that unfolds across multiple media.